Comprising a broad range of artistic forms and perspectives, Queer Forms coincides with the anniversaries of important markers in GLBTQ histories. Seen here are a few selected examples of works on display. Highlighting the work of 100 artists, the Queer Forms exhibition and related programming sought to investigate and celebrate the history, politics, and culture of GLBTQ Liberation. Additional exhibit materials curated by HSPH student Jacob Noble. On display in Northrop Suite 290 Spring 2020 through Summer 2020. Posters courtesy of the Smithsonian Institution Traveling Exhibition Service. The exhibit is co-presented by the Institute for Advanced Study, Heritage Studies and Public History program, and the Immigration History Research Center Archives.
Embracing themes that are as relevant today as they were 75 years ago, the poster exhibition brings forth themes of identity, immigration, prejudice, civil rights, courage, and what it means to be an American. Additional archival documents from the Immigration History Research Center Archives illustrate connections to Minnesota history. Based on an original exhibition at the National Museum of American History, the Righting a Wrong centers around eight core questions that encourage viewers to engage in a dialogue about how this happened and could it happen again. Some 40 years later, members of the Japanese American community led the nation to confront the wrong it had done-and urged Congress to make it right. Meanwhile, brave Japanese American men risked their lives fighting for the United States. Young and old lived crowded together in hastily built camps, endured poor living conditions, and were under the constant watch of military guards for two and a half years. Righting a Wrong traces the story of Japanese national and Japanese American incarceration during World War II and the people who survived it. Public tours will be available starting in Summer 2021.
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The exhibit is free and open to the public for self-guided tours noon-5:00 pm, Mon-Fri, following Northrop’s current safety guidelines. The exhibit is co-presented by Northrop, the College of Design’s HSPH program, and the Institute for Advanced Study and funded by the U of M Imagine Fund and The Andrew W. The curatorial team consists of Diaz, Bernier and former U of M student Chrissy Goodwin. “Why Canoes?” was developed in coordination with a group of campus and community advisors, including representatives from the featured communities. It also celebrates relationships with Dakota, Ojibwe, and Micronesian communities that have come together and found a common passion for sharing water traditions, while broadening the understanding of the waters that surround us through the resurgence and revitalization of canoe communities.
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